The utilization of juxtapositions in " Musée des Beaux Arts”
‘Musée des Adorables Arts' is known as a poem numerous juxtapositions, which is often used by Auden as a narrative technique. The first rapport is ‘suffering' alongside the mundane actions carried out by any regular person: ‘eating', ‘opening a window', and ‘walking dully along'. This particular comparison is significant as it shows how battling is unavoidable and often it occurs amid terrestrial sessions which come about without much thought emphasising a single possible concept Auden is intending to give to his viewers which is that humans are selfish nevertheless unwillingly. Nevertheless, a mocking and humourous tone is done via Auden placing the ridiculous: ‘walking dully along' as well as the tragic: ‘suffering' alongside one other evoking an understanding that implies it is dark for us to live our lives in this selfish method. Just as Everett has pointed out in her book, Auden, it is difficult to pinpoint Auden's actual thoughts in his beautifully constructed wording as " Auden may argue, echo, joke, chat, sing, analyze, lecture, hector, and simply talk”.
A second juxtaposition is the indifference between the older ‘waiting pertaining to the amazing birth' and ‘the kids who would not specially need it to happen'. ‘The amazing birth' can be used to bring a parallelism in the poem with the Christian account of Christ's birth and Auden notes which the birth was anticipated ‘passionately' and eagerly as a wonder, which could give permanent payoff from the oppression of torment. Furthermore, Auden offers ideas that only a miracle could offer an inducement from the egotistical lifestyle to a selfless 1.
Auden's accommodement infer that individual burdens are individual tragedies as humans are uninvolved with one another. It truly is unclear in the event Auden is intending to satirise humans' indifferences to one another, as apposing the tragic with the ridiculous may be polysemic since Auden published that ‘the ulterior goal [of poetry]... is usually telling the truth, to...